Anthony Reed

He had us wondering just how low he could go and still remain audible, and in the second [aria], how flexible and lyrical a dark register can be. He was triumphant in both cases.

Reed coupled with Edward Nelson for a scene from Britten's Billy Budd ... was deeply and unexpectedly moving. 

Reed [King of Egypt] was steady and stentorian as a ruling figure

Reed sang with considerable presence as the King of Egypt.

Bass Anthony Reed, an Adler scholar, commands as a youthful King of Egypt.

Just as impressive... [was the] resplendently resonant singing of bass Anthony Reed

Bass, Anthony Reed gave a sterling rendition of the viking song from Rimsky-Korsakov's Sadko.

Bass Anthony Reed sang with robust clarity as the King of Egypt.

In one of the San Francisco Opera season’s most unforgettable character roles, Reed exuded a studied creepiness, with a deep and secure bass voice that augurs that a long career playing operatic villains awaits him.

In particular, Adler Fellow Anthony Reed as Dr. Primus in Getty’s version is a triple-threat stand out as singer, actor and dancing partner...

Bass Anthony Reed looked and sounded imposing as Doctor Primus.

Basso Anthony Reed provided a satanical Dr. Primus manipulating the twin sister Madeline like a doll...

Anthony Reed ... impressed as an uncommonly articulate Speaker.

Anthony Reed [was a] dignified Speaker...

... excellent contributions came from bass Anthony Reed as the Speaker ...

Mezzo Nian Wang and bass Anthony Reed were riotous in their efforts to work out their own amorous relationship.

The vocal soloists -- soprano Jacqueline Piccolino, mezzo-soprano Zanda Švede, tenor Michael Dailey, and bass Anthony Reed -- achieved an attractive blend ...

I gulped for breath. I had stopped breathing. The music was transcendent. [Baritone Sean] Plumb and Reed are exceptional talents who will undoubtedly enjoy operatic brilliant careers.

Anthony Michael Reed steps out of the vibrant, polished chorus ... to sing the few lines of the asylum keeper with a warm, promising bass.

The standout in the commedia dell’arte troupe is a warm-toned Truffaldin of Anthony Reed.

The most impressive male voice on display here belonged to bass Anthony Reed in the key role of Spencer Coyle.

Stellar Bass Leads the fine voices at Seagle Colony's "Hoffmann"

He had us wondering just how low he could go and still remain audible, and in the second [aria], how flexible and lyrical a dark register can be. He was triumphant in both cases.

Reed coupled with Edward Nelson for a scene from Britten's Billy Budd ... was deeply and unexpectedly moving. 

Reed [King of Egypt] was steady and stentorian as a ruling figure

Reed sang with considerable presence as the King of Egypt.

Bass Anthony Reed, an Adler scholar, commands as a youthful King of Egypt.

Just as impressive... [was the] resplendently resonant singing of bass Anthony Reed

Bass, Anthony Reed gave a sterling rendition of the viking song from Rimsky-Korsakov's Sadko.

Bass Anthony Reed sang with robust clarity as the King of Egypt.

In one of the San Francisco Opera season’s most unforgettable character roles, Reed exuded a studied creepiness, with a deep and secure bass voice that augurs that a long career playing operatic villains awaits him.

In particular, Adler Fellow Anthony Reed as Dr. Primus in Getty’s version is a triple-threat stand out as singer, actor and dancing partner...

Bass Anthony Reed looked and sounded imposing as Doctor Primus.

Basso Anthony Reed provided a satanical Dr. Primus manipulating the twin sister Madeline like a doll...

Anthony Reed ... impressed as an uncommonly articulate Speaker.

Anthony Reed [was a] dignified Speaker...

... excellent contributions came from bass Anthony Reed as the Speaker ...

Mezzo Nian Wang and bass Anthony Reed were riotous in their efforts to work out their own amorous relationship.

The vocal soloists -- soprano Jacqueline Piccolino, mezzo-soprano Zanda Švede, tenor Michael Dailey, and bass Anthony Reed -- achieved an attractive blend ...

I gulped for breath. I had stopped breathing. The music was transcendent. [Baritone Sean] Plumb and Reed are exceptional talents who will undoubtedly enjoy operatic brilliant careers.

Anthony Michael Reed steps out of the vibrant, polished chorus ... to sing the few lines of the asylum keeper with a warm, promising bass.

The standout in the commedia dell’arte troupe is a warm-toned Truffaldin of Anthony Reed.

The most impressive male voice on display here belonged to bass Anthony Reed in the key role of Spencer Coyle.

Stellar Bass Leads the fine voices at Seagle Colony's "Hoffmann"